From jb at Boeschoten.de Thu May 21 09:56:22 2009 From: jb at Boeschoten.de (Jan Boeschoten) Date: Thu, 21 May 2009 09:56:22 +0200 Subject: [CI-Announce] =?windows-1252?q?K=2EJ=2E_HOLMES=3A_Workshop_in_=28?= =?windows-1252?q?Contact=29_Improvisation=2C_BMC_=26_Performance__-_Schwe?= =?windows-1252?q?lle_7=2C_Berlin=3A_June_30_=96_July_4=2C_2009?= Message-ID: <45504D8E-803D-4F38-96F1-5086187B461A@Boeschoten.de> K.J. HOLMES Workshop in (Contact) Improvisation, BMC & Performance Schwelle 7, Berlin Tuesday, June 30 ? Saturday, July 4, 2009 ? daily 11 am - 16 pm Morning Class: The Athletics of Intimacy The morning classes will combine skills and applications of Body-Mind Centering (r), with skills and practices of Contact Improvisation to fine tune and engage the imagination of the dancer in solo, duet and ensemble play. The classes will explore musicality and phrasing, the learning of specific lifts and rolls as well as how we craft time and space becoming more tuned to center and subtleties of touch, direction and intention. Skills will include release techniques and experiential anatomy to better understand the mechanics of the body, and developmental patternings, body puzzles, and forms that shape the body and space with odd timings and unusual perspectives to create dances that are dynamic and alive in the moment. We will learn more about the interior of the body and and our ideas and find pathways to external space, time and place. discovering new challenges and risks in our movement vocabulary. Body-Mind Centering (BMC tm) is an eclectic and dynamic approach to somatic training and re-education developed by Bonnie Bainbridge Cohen. Contact Improvisation is a duet dance form initiated by dancer Steve Paxton in 1972 that investigates balance, trust, momentum, gravity, stillness and perceptual play. Afternoon Class: Improvisation: Performance as Exposure The training of Contact Improvisation is a physical practice that includes increasing range of motion, awakening awareness and clarifying intention. We learn through kinetic feedback with another as well as through exploring different patterns of movement and how all of our senses lead us into dancing. Touch is not enough. Preparing to perform requires more than awareness, it asks us to be seen and to see. In this workshop, we will focus on meeting truthfully and directly the unexpected. Contact Improvisation will be our entrance into the physicality of our images and applications of Body Mind Centering (r) will fine tune us to the mechanics of our instruments - our bodies. Weight, mass and breath become movement, become landscape, become story, become question, become idea. We will play with heightening our senses and perceptions, amplifying our awareness to expose more of our interior, making the invisible visible to play with time and space. Witnessing, reading, writing and the voice will be used to further engage and enliven our imaginations and for discovering new challenges and risks. How do we ready ourselves for performing and who is the being in the body? The workshop will culminate (if desired) in 2 evenings of performance. About K.J. HOLMES K.J. Holmes is an independent dance artist, singer and actor who has been exploring improvisation as process and performance since 1981. She teaches, choreographs and performs at festivals, universities and venues throughout the world, as a soloist and in her collaborations with artists such as Simone Forti, Image Lab (Lisa Nelson, Karen Nelson and Scott Smith) and in the work of Steve Paxton. Her influences include Contact Improvisation, Body-Mind Centering (r), Yoga (certified teacher 2007), Authentic movement, Ideokinesis, Alexander and Feldenkrais techniques, Martial Dance, world vocal studies and contemporary dance and theater. A 1999 graduate of the School for Body-Mind Centering, K.J. is adjunct faculty at New York University Experimental Theater Wing, is an ongoing teacher Movement Research NYC and has a private practice in Dynamic Alignment and Re- integration in Brooklyn, N.Y. where she lives. She just completed a two year acting training in the Sanford Meisner acting technique at the William Esper Studio in New York City and is developing an evening length piece entitled This is where we are (or take arms against a sea of troubles) which looks at where the body and language meet. Participation: 5 days 200 Euro Sleeping: We can host up workshop participants in our special sleeping cocoons. The cost is 10 EUR a night per person. Registrations per email: info at felixruckert.de Place: Schwelle 7, Uferstra?e 6, HH 1. OG (near Uferstudios), 13357 Berlin, Germany Website: http://www.schwelle7.de/Workshops.html